Similar Figures Similar figures can be thought of as enlargements or reductions with no irregular distortions. 11 cm 4 cm 6 cm Solution Area of parallelogram =11 6. 2 =38.3 m 2 (to 3 significant figures) Example 4 The diagram shows a piece of card in the shape of a parallelogram, that has had a circular hole cut in it. Plus model problems explained step by step is korean filler safe Area of semicircle = 1 2 ××π2 2 =6.283185307 m 2 Total area =32 6 283185307 38 283185307+= m. 29 scaffolded questions that start relatively easy and end with some real challenges. Area of a Regular Polygon Calculator Individual Regular Polygons Sheets On this webpage there are different printable polygon sheets.The polygons worksheet area will also help the students memorize the formulas related to the area, perimeter, and other geometrical formula applications. There are also worked examples and worksheets to help you learn to find the area of different regular polygons. Area of a Regular Polygon Calculator Individual Regular Polygons Sheets On this webpage there are different printable polygon sheets.We have created a calculator for finding the area of a regular polygon up to 12 sides. PRACTICE: Pg 465 #7-17, 19-20, 23, 25, 28, 29 Wednesday, 11/28 or Thursday, 11/29 7-3: Triangle Similarity QUIZ 1: 7-1 & 7-2 furby balloon We have created a calculator for finding the area of a regular polygon up to 12 sides. I can determine the similarity ratio between two polygons. 7-2: Similar Polygons I can use the definition of similar polygons to determine if two polygons are similar. Round your answer to the nearest tenth if necessary. amatuer naked mom videos Find the area of each regular polygon. Find the length of the shortest side of a similar polygon whose area equals the sum of the areas of. The shortest side of two similar polygons have lengths of 5 ft. The sum of the areas of the polygons is 143 sq. Two similar polygons have corresponding sides with lengths in the ratio 2:3. At Brighterly, you can download time to the hour and half hour worksheets if you feel your child needs extra help with these topics.11. When it comes to math, students often experience some challenges with specific topics like time telling. Jake took 200 Get worksheet Time To The Hour And Half Hour Worksheets More often than not, learners may encounter a math question that looks somewhat like this: Jake and Hannah were asked to take 850 baskets of apples to the farmer’s market. They’re even less fun when you throw a word problem into the mix. Inequalities are no fun for an average young learner. A counting backwards worksheet benefits teachers, kids, Get worksheet Everything You Need to Know about the Inequality Word Problems Worksheet However, counting backwards worksheets can help kids master this math concept with ease, preparing them for a future of reverse counting when they need it. Kids learn backward counting in kindergarten, and it’s not the most straightforward math concept to learn as it requires a lot of practice.
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A company can and should benchmark its turnover rate across similar businesses in its industry to get a sense of how well it’s retaining talent. Turnover rates must be viewed in context, as certain industries, such as hospitality and retail, traditionally have higher than average employee churn. What Do Turnover Rates Tell Us About a Business? Today’s workforce also values flexibility and time-off, as well as a clear career path complete with the training to steadily advance and remain marketable. Across the board, LinkedIn’s Talent Trends 2020 survey shows that people want to work for companies and with people that inspire them. Even baby boomers are looking for more than a steady paycheck and say working for a company with a purposeful mission is a top priority. Recall that guaranteed lifetime employment is no longer on the table for most professions. It’s widely agreed that many of these shortages will persist even with higher than normal unemployment rates.Īnd finally, people want more from their employers-and not just money. We’ve seen perennial shortages of medical professionals, scientists and mathematicians, skilled tradespeople, engineers and many IT specialties. For certain roles, and in certain geographies, there aren’t enough people with the right skills to fill open roles. Then there’s the issue of supply and demand. That’s more than three times the tenure of workers ages 25 to 34 years, which is just 2.8 years.Īmong workers ages 60 to 64, 54% had been employed for at least 10 years with their current employers in January 2020, compared with just 10% of those ages 30 to 34. Bureau of Labor Statistics says the median tenure of workers aged 55 to 64 is 9.9 years. workforce, don’t stay at their jobs as long as previous generations did. Meanwhile, millennials, who now make up nearly 40% of the U.S. One attrition driver is demographics: Retirements of baby boomers hit a record 28.6 million in the third quarter of 2020, with Pew Research showing 3.2 million more boomers retired compared with Q3 2019. The reasons people leave vary, and companies can’t always stem the tide. Turnover, especially the voluntary variety, impacts a company’s ability to achieve business objectives and is a key concern for executives. Turnover is expensive: Gallup pegs the cost at between one-half to two times the salary of the employee being replaced.Employees who voluntarily leave their jobs are often seeking more money and better benefits, career progress, a more optimal work/life balance, or to escape an ineffective or toxic manager.Turnover is broken down into two types: voluntary, where people leave of their own volition, and involuntary, where people have been terminated or were part of a seasonal layoff or reduction in force.Separations include everyone who is no longer with the company, regardless of the reason. Turnover measures separations-employees who leave a company-within a certain time period.When calculating attrition, force reductions and terminations are not counted. It includes those who exit voluntarily as well as employees who are fired or laid off-that is, involuntary turnover. What Is Employee Turnover?Įmployee turnover refers to the total number of workers who leave a company over a certain time period. They actively manage their career development programs and look at total compensation metrics in context of the cost of replacing top performers. They hold managers responsible for keeping the lines of communication open with their reports. These factors are too important to leave to chance, so the most successful firms use data to ensure excellence: They compare their attrition rates with national and industry-specific benchmarks. How successfully a company hires, onboards, manages and rewards its people is fundamental to success. East, Nordics and Other Regions (opens in new tab) Since the positive has been prepared with the additional boarder and keys, it actually becomes part of the prosthetic mold itself. Once sculpted, the new addition of the clay sculpted prosthetic part must be molded. The edges of the clay should be made as thin as possible, for the clay is a stand-in for what will eventually be the prosthetic piece. For example, if the desired look is a pig nosed person then the artist would sculpt the pig nose over the actors real nose on the lifecast or positive copy. The prosthetic required will be sculpted over the lifecast of that body part to become the design intended. Lifecasts of full bodies and body parts are also used and reused as the basis for making fake body parts, severed limbs, and various "gore" type effects used in horror films or films where body parts are required. Multiple copies are typically used to make variations or stages of prosthetics or different prosthetics for the same actor. This also provides the artist an easily duplicated copy, if needed. This ensures a stable area with built in keys to sculpt the prosthetic over. The entire lifecast with borders and keys included is then molded. Often the lifecast will be given an additional border in clay or plaster in order to have an area free of detail and undercuts to add these keys. This is considered a "positive" or lifecast.īefore sculpting the clay prosthetic over the positive, The positive must be prepared by adding "keys" or mold points along the edges of it, which are often added using clay or more plaster or carved into the lifecast, to make sure that the two pieces of the mold will fit together correctly. This mold is used to cast a copy of that part of the actor, in a hard resin or plaster type material to eventually use as a base for sculpting the prosthetic. A hard mother mold, also known as a jacket or matrix, is typically made of plaster or fiberglass which is created over the outside of the initial flexible mold to provide support. This initial mold can be relatively weak but flexible. Lifecast molds are made from prosthetic alginate or more recently, from skin-safe platinum silicone rubber. Once the actor has been chosen, the effects artist will prepare the actor for the process of taking a mold of the actor's face, head or body part. The process of creating a makeup prosthetic appliance typically begins with concept art, created by the artist or production. Prosthetics being applied to actor Roddy McDowall for the 1968 film Planet of the Apes Additionally, many of these artists taught and inspired the next generation of Special Effects makeup artists, who in turn developed more advanced techniques for effects makeup, including developing different materials, animatronics and incorporating added computer elements. Many of the techniques developed during that period are still regularly used in the field today. Stan Winston in An American Werewolf in London for which he won the 1st ever Oscar in the newly created category and the Terminator series John Chambers, whose work can be seen in Planet of the Apes Modern prosthetic makeup was revolutionized by Christopher Tucker who's work on The Elephant Man (film) was considered so ground breaking that when it failed to win any recognition at the 53rd Academy Awards letters of protests argued for it to receive an honorary awards - this was ignored but did lead to the creation of the Academy Award for Best Makeup the next year. The work of makeup artist Jack Pierce furthered pioneered early Hollywood prosthetic work and is best remembered for creating the iconic makeup worn by Boris Karloff in Frankenstein, his makeup for the Wolfman. Prosthetic makeup draws a straight lineage from the Stagecraft of theatre and can be observed at the birth of science fiction cinema with Le Voyage dans La Lune, a 1902 French adventure short film directed by pioneer of special effects Georges Méliès. Prosthetic makeup, which may also be referred to as special make-up effects or FX prosthesis, is the process of using prosthetic sculpting, molding, and casting techniques to create advanced cosmetic effects. A portrayal of Frankenstein's monster using prosthetic makeup Museum of Contemporary Art (MOCA) Cleveland: 11400 Euclid Ave., presents Nina Chanel Abney: “Big Butch Synergy,” Sam Falls: “We Are Dust and Shadow” and Amber N. Lakeland Community College’s Gallery at Lakeland: 7700 Clocktower Drive, Kirtland, presents “from WOMAN XVI… Created by women, of women & about women,” through March 31. Lake Metroparks Farmpark: 8800 Chardon Road, Kirtland, presents “Quilts 2023,” featuring about 200 quilts and quilt-related works, March 31 through April 31, with Quild Vendor Days April 28 through 30. Kent, presents “Head to Toe,” a trilogy of exhibitions that draws from the Kent State University Museum’s permanent collection, through July 23. Kent State University Museum: 515 Hilltop Dr. Call 80 or visit CIA.edu.Ĭleveland Museum of Art: 11150 East Blvd., presents “Photographs in Ink,” through April 2 “The Medieval Top Seller: The Book of Hours,” through July 30 “Modern Impressions - Light and Water in Chinese Prints,” through May 7 “Nineteenth-Century French Drawings from the Cleveland Museum of Art,” through April 30 “The Tudors: Art and Majesty in Renaissance England,” through May 14 “Tilman Riemenschneider’s Saint Jerome and Late Medieval Alabaster Sculpture,” through July 23 “A Splendid Land: Paintings from Royal Udaipur,” June 11 through Sept. ArtĬleveland Institute of Art: 11610 Euclid Ave., presents “Like Moths to …,” an exhibition featuring the work of 23 visual arts students from CIA, April 28 through 30 at The Hildebrandt Building, 3619 Walton Ave., Cleveland. Make submissions for consideration via email to or You must include a phone number and/or web address for publication. Here is a brief rundown of some coming entertainment options in Northeast Ohio. Affinity Photo needs to restart to load the new plugins. Press OK, to close the finder window too.įinally, press “Close” to confirm the Photoshop plugins changes you have made. Just enter a slash sign “/” and press the Go button. This will bring up the Go to the folder dialogue, as you can see below. In the popup finder window that appears, press SHIFT + CMD + G. Under “Plugin Support Folders” select “Add” (#2 on the screenshot above). Next, navigate to the Affinity Photoshop Plugins folder that you created under Applications. Under “Plugin search folders” select “Add” (#1 on the screenshot below). In Affinity Photo go to Preferences and select the Photoshop Plugins button. Next, click continue and finish the installation process.Īfter the installation has finished, switch to Affinity Photo. However, as you can see Affinity Photo is not listed here.Ĭlick on the plus sign and navigate to Applications and choose the “Affinity Photoshop Plugins” folder that you created just a few minutes ago and click Open. Click on the Nik Collection App to begin the installation.ĭuring the installation process, on the Compatible Host screen, you need to choose which compatible applications you want Nik Collection to work with. dmg-file you downloaded from the Nik Collection website, following the link above. Next, you need to reinstall the Nik Collection. After going through this tutorial, all your plugins installed in this folder should automatically be detected by Affinity Photo. Create a new folder and call it something like “Affinity Photoshop Plugins.” In this folder, you can install all your Photoshop plugins. Now, open up a finder window and go to the Applications folder. To get Affinity Photo to work with Nik Collection, you need to install it a second time, but in another folder. It is free for 30 days, and works more flawless with Affinity Photo, and includes the new Perspective Efex Plugin as well.ĭownload our Free ebook: Quick Start Guide to Affinity Photo Reinstalling Nik Collection, So It Works With Affinity Photo We strongly recommend that you try Nik Collection from DXO in the newest version. If you want to keep the old version and cannot get it to work, by following the below guide, or you still have the old free version from Google, try to re-install that once you have cleaned your Mac from the DxO version.Ĭheck this article on plugins for Affinity Photo for a more updated description of available plugins. However, after version DXO Nik Collection v2.5 they do. Note that the earlier DxO version and old Google version of Nik Collection didn’t officially support integrating with Affinity Photo. However, this doesn’t mean that you cannot get Nik Collections to work with Affinity Photo with a little workaround. But Affinity Photo wasn’t around when Nik Collections was actively developed and updated, so it doesn’t recognize Affinity straight away in the installation process. The Nik Collection plugins were mainly developed to use with applications like Photoshop and Lightroom, and other photo editing software. If you are using Nik Collection Plugins, you might wonder whether you can get them to work in Affinity Photo, or you also need to find alternatives to them too. However, the transition is easier than you think and well worth it. Switching from Photoshop to Affinity Photo can be a little daunting experience when you first think of it. Download a FREE e-book: 25 Techniques All Photographers Should Master By organizing my saved class materials according to the competencies supported by that class, I was able track my work over time, and ensure that I was electing to pursue coursework that covered all 14 competencies. Following the advice of previous graduate students, I made it a habit to save assignments, discussion posts, class syllabi, and other documentation of my course progress. I began my graduate studies in the Spring of 2016. Each competency concludes with a paragraph summarizing how this knowledge and skill might be transferable to future work scenarios. Appropriate references to the relevant literature are provided throughout the document and listed at the end of each document. Each evidentiary item consists of a document link beneath a heading, followed by paragraphs which name and describe the evidentiary item, and provide a cogent argument for how the item a) shows an understanding of the competency, b) demonstrates skills related to the competency, and c) illustrates how transferable this knowledge and ability will be in a future work environment. This description is followed by a statement regarding what coursework or experience prepared me to understand the competency, and a short explanation of how the presented evidence is arranged. Each statement of competency begins by describing or defining the competency and why it is important to me and to the information profession in aggregate. The e-Portfolio as a document consists of this Introduction, Competencies A through O, and a Conclusion and Affirmation. I chose to present my e-Portfolio as a website. O. Understand global perspectives on effective information practices that are supportive of cultural, economic, educational, or social well-being. Evaluate programs and services using measurable criteria Demonstrate professional leadership and communication skills Demonstrate understanding of quantitative and qualitative research methods, the ability to design a research project, and the ability to evaluate and synthesize Design collaborative or individual learning experiences based on learning principles and theories Describe the fundamental concepts of information-seeking behaviors and how they should be considered when connecting individuals or groups with accurate, Demonstrate proficiency in identifying, using, and evaluating current and emerging information and communication technologies Demonstrate understanding of basic principles and standards involved in organizing information such as classification and controlled vocabulary systems,Ĭataloging systems, metadata schemas or other systems for making information accessible to a particular clientele Use the basic concepts and principles related to the selection, evaluation, organization, and preservation of physical and digital information items Design, query, and evaluate information retrieval systems į. Apply the fundamental principles of planning, management, marketing, and advocacy Į. Describe and compare different organizational settings in which information professionals’ practice Ĭ. Articulate the importance of designing programs and services supportive of diversity, inclusion, and equity for clientele and employees ĭ. Demonstrate awareness of the ethics, values, and foundational principles of one of the information professions, and discuss the importance of those principlesī. There are 14 core competencies for the SJSU MLIS program, listed in alphabetical order:Ī. The e-Portfolio as a program, provides students like me with the space to self-assess their work and demonstrate proficiency with a full-range of competencies necessary for the working information professional. The statement of competency contains references from text books, scholarly articles, library websites, and the American Library Association (ALA).Welcome to Roger Weaver’s e-Portfolio, which was completed in the spring of 2020 in pursuit of a Master’s in library and Information Science (MLIS) graduate degree from San Jose State University (SJSU). I chose the evidence that I feel best demonstrates what I learned about each mastery. In addition, I have included an About page, where I provide a brief self-introduction and my résumé.Įach Competency has a definition of the competency, a Statement of Competency, 3-4 pieces of evidence to demonstrate my mastery of the competency, and references. It is organized into an Introduction, Competencies A through O, Conclusion, and Affirmation. The purpose of this portfolio is to demonstrate my mastery of all program learning outcomes (15 core competencies) for the degree before graduation. Welcome to the e-Portfolio of Rachel Bryson! 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